Every actor has a first-time for auditioning, and most remain
nervous about auditioning even after years of doing so. Don’t
let the first-time jitters keep you from trying out for a stage
role. Directors are very understanding and will work with you
at the audition to bring out your best. They know you are
nervous. The following guidelines are offered by RLOC to help
auditionees understand what is expected at our auditions and help
them with their preparation. RLOC auditions typically involve
singing, acting, and stage movement.
1. What role? Know something about the show for which
you are auditioning and any specific parts you are seeking. Audition
forms typically ask for what parts you want to be considered.
Some people limit themselves to a specific role. Others are
open to whatever part the directors might select for them.
Directors especially like people to say “any part” because it gives
them maximum flexibility in casting. You may be surprised at
what a director could have in store for you.
2. Song selection is the auditionee’s choice. The most
important thing about your song selection is that it highlights your
vocal capability. Ideally, it should be from a musical
production, though not necessarily the show for which you are
auditioning. Use something that showcases your range, and that
you are comfortable singing. It doesn’t need to be cutting
edge or technically challenging. Old standards are welcome.
You will probably be limited to about 2 minutes for your song.
If you go long, you may be cut off by the directors once they have
heard your ability. If you are cut off, don’t take it
personally or as an indication that there is anything wrong with
your audition. It merely means that the staff believes they
have heard you sufficiently to judge your musical ability for the
roles being considered.
3. Accompaniment. Your vocal selection needs an
accompaniment. As part of auditions, RLOC provides a talented
piano accompanist for auditions who will be happy to accompany you.
You may also bring your own accompanist. A CD or tape may
sometimes be used, but should not include background singers.
Directors consider it very important to hear how you work with a
musical accompaniment for rhythm, timing, and pitch.
4. Readings will depend on the part for which you are
auditioning. You will probably have a chance to do several different
parts unless you limit yourself. Shows may have opportunities
for non-singing parts for those who don’t sing. (But you
really should give singing a try as a bold step!)
5. Stage movement (choreography or dance) will vary depending
on the shows. Some shows require highly specialized dancers
for select numbers, whereas others may require little more than some
movement in rhythm. Dress comfortably in loose clothing and
wear comfortable shoes in which you can move.
6. The audition process may take anywhere from half-an-hour to
a couple of hours, depending on the number of people auditioning and
the format selected for auditions.
7. Call-backs. You may be invited to a call-back
following audition. A call-back is where finalists for a role
(or roles) are compared. Directors may try out various
combinations of cast members looking for the best match of vocal
abilities, appearance, style, or stage chemistry. Most cast
members are cast without going through call-backs, but principal
roles often have call-backs. Call-backs are typically a day or
two after auditions and some shows are cast without needing
call-backs.
8. Don’t wear strong colognes, perfumes or other scents to
auditions or performances. Actors don’t like to sneeze or have
allergic reactions! Who does?
RLOC holds open auditions, meaning anyone can audition. As a
community theater, we seek the best person for each role and we give
first consideration for all roles to those who audition. We look
forward to seeing you at a future audition.
A printable version of the guidlines can be downloaded by clicking here.